Botanical Evocations - Price List

Sui-ying Chan Zaffer 陳瑞瑩

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Sui-ying Chan Zaffer (b.1991), obtained Bachelor of Fine Arts from Chinese University of Hong Kong in 2014 and Master of Fine Arts in 2017. Her major research interests are contemporary relationships between ink arts and traditional Chinese mounting. She nurtured paper conservation expertise in Taiwan and currently working in Hong Kong as a paper conservator and continuing ink art creation. Chan captures the abnormalities or transformation of seasons, marked with her delicate emotions and surrealistic arrangements of objects. Chan’s vivid imagination created the portrayal of sentimental and spiritual scenery which evoke the interrelation of man and nature. Chan has received several awards, including the Wucius Wong Modern Ink Painting Award Hong Kong, Chinese Meticulous Painting Association Creative Award and the Madam Jan Yun-bor Memorial Awards for Chinese Painting and Calligraphy. She has participated in various joint and solo exhibitions, and her works are prized by private collectors.

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陳瑞瑩（b.1991），2014年畢業於中文大學藝術系，2017年完成中文大學藝術系碩士課程，探討水墨紙本作品和傳統裝裱的關係。裝裱與紙張修復相互關聯，於台灣修畢文物修復碩士課程後，回港進行藝術品修復工作及水墨創作。陳氏擅於捕捉細膩情感與季節間的自然異象，透過聯想寫景及造境，勾勒起曖昧不明的關係與情愫,繪畫情境兼備的水墨風景，同時把裝裱技藝融入創作，突破平面紙本作品的界限。陳氏於修業期間曾幾度獲獎，包括王無邪現代水墨創作獎、香港工筆畫會創作獎及嘉圖藝術創作獎。她於香港、台灣及海外舉辦個人展覽及參與聯展，作品多為私人收藏。

Sam Cheng 鄭丹珊

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Sam Cheng (b.1989), graduated from the Fine Arts Department of CUHK with BA first-class honour, she specialises in still life and landscape paintings, in which she expresses her feelings towards daily objects. 

 

When painting, she usually experiences a kind of meditation, which is a process of self-precipitation and healing. By combining the precise and meticulous gongbi technique (traditional delineative painting) and the depiction of modern subjects to convey her personal feelings, there is a sentimental quality in her modernised ink paintings. She uses linear lines to define the subject forms in her stories; applies ink washes to render layers of feelings and varies the shades of colours to empower the expression of emotions. Cheng creates her own visual vocabulary for expression of feelings, presenting a trinity of harmony formed by contemplative ink strokes, pastel shades and modulating lines. 

 

Cheng has won the Chinese Painting and Calligraphy Creative Award, Culture Corner Art Academy Fine Arts Award, and the Ting Yen Yung Creative Award for her artworks. She has held numerous solo exhibitions, joint exhibitions, and art fairs in both her local area and Taiwan. Her works are mostly held in private collections.

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鄭丹珊（b.1989)  畢業於香港中文大學藝術系取得一級榮譽文學士，擅於描繪靜物及自然景象，利用傳統工整細密的工筆技巧，加入一些現代化的新原素以及個人多愁善感的情感，塑造出富人性化的現代水墨。

 

繪畫時通常會經歷冥想的狀態，是自我沉澱、療癒的過程。用線勾勒出經遇過的事跡；用墨沉澱/分染出不同層次的感受；用色罩染了情感的釋放。三者揉合成為一個和諧的整體，產生一種墨氣沉着端莊,色澤恬淡幽靜，線條剛柔並濟的新語言，線、墨、色使其紙張更富意境和感染力。

 

鄭氏的畫作曾取得中國書畫創作獎，文苑藝術創作獎(中國繪畫)及丁衍庸創作獎。她於本地及台灣分別舉行了多次個人展覽、聯展及博覽會。作品多為私人收藏。

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