New Page & Mark-Making
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Abby Lee 李欣儀
Abby Lee graduated from the Hong Kong Academy for Performing Arts with a major in Scenic Art. During her studies, she did a scenic internship in Royal National Theatre, London. She is currently studying a masters of Arts in fine art degree at the Chinese University of Hong Kong. LEE mainly uses acrylic to paint and create stop motion animation. The living and working environments always appear in her scene. She likes the themes including the system and routine life of people.
李欣儀2014年畢業於香港演藝學院，主修繪景藝術。在學期間曾獲校內獎學金赴倫敦皇家國家劇院實習。目前正在香港中文大學修讀藝術文學碩士課程。 她主要使用塑膠彩進行製作並期望從作品探索現代社會與人的關係。供水系統、人工建築物橫切面和城市景觀等都是她繪畫中的主要元素。她於2016年首次參加群展，其後作品被多名私人收藏家收藏。她於2020年入圍香港人權藝術獎，並在2021年獲得第四屆新藝潮博覽會金獎。
Apple Wong 黃曉楓
“In my painting, I subtracted the sexual characteristics of human body. Afterwards, everyone's the same. They are "human beings", just like me and you." Apple Wong Hiu Fung is a Hong Kong artist. Upon her graduation from the School of Visual Arts of Hong Kong Baptist University, she has held personal exhibitions in Hong Kong and has participated in various art exhibitions and expos. Her works have been exhibited in Hong Kong, Taiwan, Macau, Belgium, England and Singapore. In 2017, she published a poetry and painting collection named "Summer of Freedom" in cooperation with local poet She Kwan and publisher Art and Culture Outreach. In 2018, she independently published a zine called "One Portrait One Arabic". She acquired The Derwent Art Prize Young Artist Award in 2016, artwork was exhibited at London Mall Galleries. In 2011, She was awarded the Hong Kong Cliftons Art Prize 2011, the selected work has been collected by Cliftons. Body speaks louder than words.
Apple's art has always attempted to comprehend the essence of human being. She appropriates subtle gestures and body shapes to interpret certain topics: relationships, independence, eternity, faith, etc. Through creating artwork, Apple records life experience, keeps exploring the private part of our soul. She believes the individuality of human being is the most beautiful and unique part in our lives.
「在我的作品中，我以減法來處理人體，去除性徵後，每個人都一樣，他們1十中是『人』，是你和我。」
香港畫家黃曉楓於香港浸會大學視覺藝術院畢業，畢業後曾於香港舉辦個人展覽，亦參與於香港、台灣、澳門、比利時、英國、新加坡各地群展及博覽會。2017年與本地詩人璇筠、出版社艺鵠合作出版詩畫集《自由之夏》及於2018年獨立出版小誌《一臉一詞 One Portrait One Arabic》。
黃曉楓以肢體動作演繹不同的人生議題：關係、獨立性、永恆、緣份等。黃曉楓透過創作記錄生活感受，希望透過作品去連結人的內心，同時分享令觀賞者反思生命的美。
黃曉楓於2016年獲得英國The Derwent Art Prize Young Artist Award（於London Mall Galleries展出），2011年亦獲得Cliftons Art Prize，作品更被Cliftons所收藏 。
Elpis Chow 周紫羚
Born in 1996, Elpis Chow is good at observing corners and spaces in the city, by painting the strict patterns and her collision of colours, representing alternative areas of the real in her paintings. Troubled by not being able to travel these years, Elpis reviews her old photos and those sightseeing photos by others over the internet, put together this series of self portraits and landscape paintings.
出生於1996年，周紫羚擅於觀察城市中的各個空間角落，透過再現建築裡規律的線面和色彩的碰撞，呈現出另一個現實地帶。這幾年不能去旅行，卻又苦於想去旅行的心情，透過回顧以往的照片，和網上他人的觀光照片，拼湊出這次一系列的自畫像和風景畫。
Hector Chan 陳偉傑
Born in Hong Kong in 1991, Hector Chan Wai-Kit he finished his MA in Fine Arts in University of Arts London – Chelsea College of Arts in 2018, graduated from BA in Visual Arts, Hong Kong Baptist University in 2015; and studied in Fine Arts Academy of Bologna during study exchange in 2014.
Chan has been curating and participating in exhibitions of Hong Kong and London, some of his artworks are privately collected. Chan also works for art and cultural education, and has been a special lecturer in Chelsea College of Arts. He is currently living and working in Hong KongChan’s practice explores how the creative process of pictures, paintings and drawings could capture the fluency, rapidness and quantity of dynamic images, and hence catch up and assemble the desire of seeing and memory.
Dynamic of gesture smoothens and extends the ways of seeing, it strikes into the eyes and summons the torrent of images in mind instantly, which brings an image more than an image. Sometimes it penetrates time at a moment, summoning the next moment of the movement; and sometimes it penetrates the memory, connecting similar scenes together. Dynamic is a fluent extendibility for images which summons our desire to see across the present image. Furthermore, it is not only an extended desire, but also a symptom of desire itself for the rapidness and quantity of seeing in the image-flooding era.
For Chan, painting is an action responding to the desire of seeing. He sometimes condenses painting’s content to extend the capacity of painting body and catch up the quantity of images; sometimes construct the range of association by collective words and drawings; sometimes he disperses complexity into multiple paintings and drawings to improve fluency of painting process and catch up the freshness of desire.
陳偉傑旨在探索如何以繪畫、素描及圖像捕捉動感圖像的流暢感、速度。所謂「動感」，並不是視覺上移動的感覺，而是心理上的躍動：因觀看的𣊬間召回了過去的回憶，或預視了未來的動向。「動感」是由觀看引發的聯想，一種起伏和延伸。
陳偉傑時而壓縮畫中內容，以捕捉觀看與聯想的數量；時而以收集性(Collective)的文字及素描築構聯想範圍；時而透過物料特性改變繪畫的形態，把其複雜性分拆到複數畫面中，以提昇繪畫過程的流暢度，並抓緊觀看的短暫熱度。
陳偉傑1991年出生於香港。2018年於倫敦藝術大學切爾西藝術學院取得藝術（純藝術）碩士；2015年畢業於香港浸會大學（視覺藝術榮譽文學士）；2014年赴意大利波隆納藝術學院交流。陳氏曾於香港及倫敦展出作品及策劃展覽，作品被私人收藏，另外從事藝術及文化教育，曾於切爾西藝術學院擔任特別講師，現於香港不同院校教授藝術及文化。
Kosuke Ikeda 池田孝友
Born in Osaka, Japan, Kosuke Ikeda creates under the theme of “Change”. Every month he creates with a different format: two-dimensional, three-dimensional, videographic, conceptual… with which he reflects on and redefines the unspoken rules of the art world and our society. Ikeda constantly updates his blog to keep a log at his own changes as an artist while making ever-changing artworks.
生於日本大阪的池田孝友以「變化」命題，他每月以不同方式及主題創作，借平面，立體，映像，及概念藝術等媒介，重新思考與定義社會及藝術世界中的種種慣例及論述。他同時於網上持續更新自己的藝術軌跡，製作幻變的作品同時，記錄自身作為藝術家的種種變化。
Silvester Mok 莫鎧靖
Silvester Mok is a Hong Kong ceramics artist who mainly works with 3D printed ceramics. After graduating from RMIT University in 2021, Mok has participated in HKAS/RMIT Graduates Exhibition and 17th Fresh Trend Art Graduates Joint Exhibition, and was awarded the Fresh Trend Art Award. Later that year, Mok had his first two solo exhibitions “Moiré” and “Coherence” that marked the start of his art career.
To Silvester, compared to pot pinching, machines have dominated the ceramics forming process in 3D printing. Clay was forced to squeeze out from the nozzle at precise coordinates, creating clay objects in a digital way. The precision and accuracy of the machine make a huge contrast with clay, a material that easily deforms under unbalanced weight and water content.
To explore the possibilities of digital ceramics, Mok engages and reconstructs visuals that he sees, with geometric forms that resemble the essences of those images. Visuals are reduced to simpler forms and colours, and the state gets captured permanently by fire. Each creature consists of individual parts that serve unique functions, in the composition of a harmonic arrangement, while being able to maintain their singularity and diverge through their contrasting characteristics. Each of his creations consists of individual parts that serve unique functions, in the composition of a harmonic arrangement, while being able to maintain their singularity and diverge through their contrasting characteristics.
莫鎧靖在2021年於墨爾本皇家理工大學(RMIT)畢業，主修陶瓷藝術，畢業後參與香港藝術學院(HKAS)及RMIT合辦之藝術文學士畢業展，及第十七屆香港藝術學院出爐藝術系畢業生聯展，更獲頒發Fresh Trend Art Award。同年他舉辦個展「Moiré」及「連貫性」，正式開始其藝術生涯。
莫氏過往曾以3D繪圖創作，遇見陶泥後主要以3D打印技術製作陶瓷作品。他認為相對於傳統拉杯，3D打印陶瓷被機械性壟斷其創作過程：陶泥由噴嘴中精確地降落至座標上，以數位的方式成形為陶器，在機器的精準與一絲不苟與易變可塑的陶泥之間帶著極大的對比。
有感於此，莫氏透過現代科技結合傳統陶藝，參與和重建他所看到的視覺元素來探索陶瓷的可能性，發展出具結構性的陶瓷雕塑，並於過程中尋找陶瓷新的可能性。其作品被簡化為精簡的形狀和顏色，利用高溫把這種狀態永久記錄下來。每個創作都由各具特色的部分組成，透過各種的和諧的排列，令機器與陶土之間的互動和特色得以保存。
Mark-Making - Price List
Ho Sin Tung 何倩彤
Ho Sin Tung was born and currently living in Hong Kong. She graduated from the Fine Arts Department in Chinese University of Hong Kong in 2018. Ho imagines and participates in the world through researching it. She regards research as a method to lost oneself steadily. Navigating through the texts and materials, Ho encounters punctum that haunts her. Those could not be named thus transformed into works. This is a way to live with it. Ho has a penfriend who describes her as such: "Ho Sin Tung regards the dead as the living. Objects, events, knowledge gain the status of the living in her world. They have their own face and so dignified that they cannot be categorized."
Apart from drawing, installation and video, Ho also regards writing as one of her essential practice. Her translations, reviews and fictions are published in various medias and literal magazines. She is one of the co-founder of alternative space POWWOW - it is a base for cultural practitioners from all fields to exercise, play, mingle, and learn to care for both their body and mind. It seeks to bring various artistic communities together through sports (especially martial arts) and fun, and to become an agglomerating point for creative spirits to collide in informal yet structured frameworks. Without emphasising on the production or exhibition aspects of art, it will be a playground for creativity to ferment and take shape without being driven by ‘objectives’ or directed by the capitalistic impulses of productivity and efficiency.
何倩彤出生及現居於⾹港，並於2018年畢業於⾹港中文⼤學藝術系。何倩彤認為研究是一種踏實地迷失的方法，能藉此想像並參與世界。游走於文本與素材之間，那些突兀的、纏繞著她的，就成為作品。那是她與之共生的一種方式。她的筆友如此形容她：「何倩彤對物的重視，如同人們對活人的重視；死物、事件、知識在她眼裡得獲生者的地位、有屬於⾃己的⾯貌，亦有不能被歸類的尊嚴。」
除繪畫、裝置和影像作品外，何倩彤亦視寫作為她不可或缺的修行之一。 她的翻譯、評論和小說曾發表於各種媒體和文學雜誌。 她也是另類空間POWWOW的聯合創始人之一——POWWOW試圖通過運動（尤其是武術）和樂趣將各種藝術社區聚集在一起，並成為創意精神在非正式但結構化的框架中碰撞的聚集點。 在不強調藝術的生產或展覽方面的情況下，它將成為創造力發酵和成形的遊樂場，而不受“目標”的驅動或生產力和效率的資本主義衝動的指導。
Sinman Yeung 楊善雯
Sinman Yeung obtained her BA in Visual Arts from the Academy of Visual Arts, Hong Kong Baptist University in 2019, and currently works in museum education. Her artistic approach mainly involves pencil drawing. She is used to observing and exploring the light and shadow and architecture within the urban structure. Through delicate and soft brushstrokes, she embodies affection narrative and imagination for urban scenes.
藝術新星楊善雯在2019年畢業於香港浸會大學視覺藝術院，現兼任博物館教育工作。楊善雯多以鉛筆畫為創作媒介，她善於觀察及探索城市軌跡中的光影及建築物，透過細膩柔和的筆觸為都市情景寄寓情感及想像。
Miki Lam 林嘉儀
Lam Ka Yee, Miki is a Hong Kong artist who received a Bachelor of Arts in Fine Arts from Royal Melbourne Institute of Technology in 2020, majoring in painting. Her work focuses on the connection between cityscape and city folks, portraying the city from an objective and abstract perspective, while the details in the works contain her subjective feelings and memories, the combination of objective and subjective experience is my own understanding of the city.
She received various awards and has been interviewed by various press. In 2021, her work was shortlisted for The Signature Art Prize and cooperated with local art director. Moreover, She also held her first solo exhibition at PMQ, her work was collected by private collections in different countries.
香港藝術家林嘉儀於2020年獲得皇家墨爾本理工大學藝術文學士學位，主修繪畫。她關注城市景觀與人的連繫，從客觀和抽離的角度描繪城市面貌，作品包含了她的主觀感受和記憶，和自身對城市的理解。
她曾獲各獎學金及多家媒體採訪。在2021年，她更入圍The Signature Art Prize，及與本地導演合作，亦於PMQ元創方舉行了首個個人展覽，她的作品被各地私人收藏。
Mak Ka Yan 麥家欣
Mak Ka Yan is definitely a name to pay attention to, she explores human relationship and the linkage between human and the city in her works. Mak often begins from scenes from her daily life, injecting imaginative fantasies to resolve her self-imposed restrictions in life, depicting her dreams and fantasies – sweet and brutal; happy and sad; tender and playful –all personal, brave and honest. Her works are multidisciplinary and include painting, sculpture, videography, and performance.
Mak recently obtained her BAFA from RMIT University and Hong Kong Arts School and honoured with TOUCH Gallery award in 2022.
麥家欣絕對是一個值得關注的新秀之一，從作品中探索人的關係及人與城市之間的聯繫，並以日常生活的情景為起點，加入異想天開的想像，從而解開自製的心結。描繪著她的夢想和幻想——甜美的和真實等； 快樂和悲傷； 溫柔而靈巧——通露出其魅力。其作品以繪畫、雕塑、錄像和行為藝術為主。
麥家欣近期於2022年獲得皇家墨爾本理工大學藝術學士學位，並獲得 TOUCH 畫廊獎項。